Playing to the Gallery: Helping Contemporary Art in its Struggle to Be Understood - Couverture rigide

A visual and intellectual delight (Time Out)

Punchy, mischievous ... Hugely entertaining. You could, genuinely, take an aphorism or a quote from every second page ... This is splendid, transgressive stuff and a delight for the many Radio 4 listeners who responded enthusiastically [to Perry's Reith Lectures] ... In writing, he seeks to protect the personal in a deeply caustic art world, but in doing so also writes a love letter to art ... a thing of pleasure: petite, luxuriously printed, a mischievous little hymn to 21st-century inclusivity (Melanie Reid The Times)

This book is full of good jokes, full of cartoons, full of memorable epigrams, but above all full of thought-provoking ideas that make you want to pause on every page and say: "Discuss." I have never read such a stimulating short guide to art. It should be issued as a set text in every school (Lynn Barber Sunday Times)

The book has [a] conversational tone and lively intelligence. Beautifully illustrated, it reveals Perry to be not just an artist but a wordsmith, too... This is writing with the eye of someone who says: 'My job is to notice things that other people don't notice.' It is full of insight, and of telling points... It is acute and funny at the same time. This, I think, is why people love Perry so much. He is really smart. He says the things we wish we had thought of, and asks the questions that we want to ask. What is art? How can we tell if what we are looking at is any good? Is it OK to like certain artists? (Daily Telegraph)

A joy to read (New Statesman)

A polemic for inclusivity... The great thing about Perry's statement of it here is that you are always convinced that he believes it and lives by it (Observer)

With great good humour he debunks distinctions between highbrow and low (Sunday Times, Books of the Year)

An unpretentious aesthetic treatise (Observer, Books of the Year)

Perry's fun and wonderful book is a necessary addition to a world that must continue to ask difficult questions of art (Publishers Weekly)

Grayson Perry's first art prize was a large papier-mâché head he awarded to himself as part of a performance art project at college in 1980. Since then he has won many other awards, including the Turner Prize in 2003. He is now one of Britain's most celebrated artists and has had major solo exhibitions all over the world. His 2013 BBC Reith Lectures were the most popular lectures since the series began. He also won a BAFTA for his Channel 4 documentary on the creation of six new tapestries entitled 'The Vanity of Small Differences, All in the Best Possible Taste', for which he was also awarded Best Presenter at the Grierson British Documentary Awards.